I’m happy to start 2026 off with two strong reviews for When Paul Revere Rode: Voices from the First Night of the American Revolution. Looking forward to seeing this book out in the world in April!
Kirkus Reviews says: “Thomson and Henderson’s unique collaboration fractures a historical moment usually attributed to one person into a broader variety of sixteen characters. Henderson’s textured illustrations beautifully evoke the low light of the evening ride, while Thomson’s fast-moving verse captures the night’s excitement….An innovative peek into the many small moments that led up to the American Revolution.”
And here’s School Library Journal: “The ghostly image of Paul Revere gallops across the cover of this intriguing title. Using voices from those who participated in Revere’s historic ride and the beginning of the American Revolution in one way or another, Thomson dramatically brings readers into the moment-by-moment drama of that fateful night…. As the evening progresses, readers are taken on a perilous journey from Boston to the impending ‘shot heard ‘round the world’ at Lexington and Concord. Along the way, readers will meet regular citizens, enslaved men, and notable names from American history….Gripping art and effective text place readers in the middle of this dramatic night in American history. Recommended.”
Read More“The unlicensed use of creative works for training generative AI is a major, unjust threat to the livelihoods of the people behind those works, and must not be permitted.”
That says it all, really. Music, visual art, and the written word do not simple exist–they are created. Creators deserved to be paid and acknowledge for their work, something generative AI entirely fails to do.
If you are a writer, composter, illustrator, or another professional concerned with the creation of art in any form, please review and sign this petition. If you are a reader, listener, viewer, or someone who cares about living in a society that values and encourages creation, please read and learn more about what makes AI possible and why it’s a problem for writers like me.
Read MoreEnjoy, revel, smile, and feel your emotions blossom as you check out the best illustrated books of the year as picked by the New York Times. This art is funny, poignant, adorable, and just plain irresistible.
(I used to live in New York…going to this exhibition is one of the things I miss. And the chilIquiles at Zarela’s.)
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Delighted to introduce my fellow panelists for SLJ’s Library Con:
Gina Chew, author of Afterlife: The Boy Next Realm
Maple Lam, author of Monkey King and the World of Myth
Allison Saft, author of Wings of Starlight
Ngozi Ukazu, author of Barda
and our delightful moderator, Allison Denny!
So excited to be able to chat fantasy with these fine folks. Here is the full program for LibraryCon–check it out and join us on November 16th at 2:25!

Oh my sainted aunt, I am so excited to receive an invite for School Library Journal‘s LibraryCon Live! I’ll be on a fantasy panel talking about my upcoming book, The Griffin’s Boy, on November 14th.
This book was a dearly beloved manuscript that spent ten years (yes, an entire decade) in a drawer because no editor anywhere found it remotely interesting, to my bafflement–it has a baby griffin and a miniature dragon in it; how could anybody be less than enchanted? To have it finally find a home with Peachtree book is balm to my soul, and to be able to talk about it on a panel with other fantasy writers–it just makes me giddy.
Maine is something of a beacon for creative types–well known for our visual artists, of course, but also for writers. To learn more, tune into the Dead Writers Podcast and discover a wealth of information on Harriet Beecher Stowe, Edna St. Vincent Millay, Nathaniel Hawthorne, and others!
Read MoreThis is a video well worth watching, not least for the speaker’s understanding of her 100th decade as a way to relive her childhood–or more specifically, to live the childhood she wishes she had had. “I’m having my second childhood now, my happy childhood,” she says. “I had a miserable childhood. I did not enjoy being a child….So I have fun now. I’m enjoying my childhood, finally.”
I love the idea that we are not limited to the childhoods we actually had. That we can revisit that intense, passionate, fresh, joyful and rage-filled and awe-filled time, as we wish. That we can do it better, if we want to.
And children’s literature gives us a gateway to do that. Those of us who had lonely childhoods can read about life-changing best friendships. Those of us who were (oh, perhaps) a bit bored can read about wild adventures. Those of us who felt powerless or helpless can find stories of undaunted heroes.
Childhood never leaves us, or rather, we never leave it. Maybe, as the speaker of this video suggests, we grow not away from our childhoods, but toward them–if we’re lucky, coming full circle.
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