What We Are Doing to Libraries
If you want your heart broken–or if your heart is made of stronger stuff than mine–read this piece from the Washington Post, “The librarian who couldn’t take it anymore.”
Read MoreTania could feel something shifting inside her 21st-century media center. The relationships between students and books, and parents and libraries, and teachers and the books they taught, and librarians and the job they did — all of it was changing in a place she thought had been designed to stay the same.
A library was a room with shelves and books. A library was a place to read.
Now the library, or at least this library, was a place where a librarian was about to leave.
Two Friends Readaloud
Do you have that full-body cringe that happens when you hear your own voice? If so, you’ll understand why I cannot click on this link…but you can, if you want to hear the first chapter of Two Friends, One Dog, and a Very Unusual Week.
Read MoreGeorgette Heyer and The Grand Sophy
So Georgette Heyer, it seems, is no longer an antisemite.
Of course that’s ridiculous. Georgette Heyer is exactly as antisemitic as she ever was–at least, her books are.
In The Grand Sophy (which happens to be the only Heyer book I’ve read; it was enjoyable) the moneylender is no longer swarthy, greasy, and named Goldhanger. He’s now just named Grimpstone. He still has an ingratiating leer, for whatever that’s worth.
I have mixed feelings about this. If these changes, made with the permission of her estate, mean that a new reader can float through the book without getting smacked in the face by a truly ugly, damaging, and hurtful stereotype, that seems to be a net good for society.
And yet….
When Mary Bly, a novelist and scholar, wrote an introduction to the book explaining the changes and why they’d been made, the publisher balked. Bly withdrew from the project, along with her introduction. That does bother me.
To make the changes–maybe.
To refuse to discuss or acknowledge the changes–a problem.
We gain something when hurtful stereotypes are removed. We lose something when we refuse to–or are not allowed to–acknowledge that Georgette Heyer might have been a talented writer who portrayed smart, independent women (for the time period and genre in which she wrote) and a bigot at the same time.
We lose the ability to think about books and writers and ourselves with nuance. Maybe we begin to think that the only people who harbor bias are villains as one-dimensional as Goldhanger/Grimpstone–not lively writers of light fiction who gave a lot of pleasure to the world. Not people we admire. Not people who might look a bit like us.
Read MoreToday in Maine
Today I was supposed to be talking about books and about writing nonfiction at a school in Waterville, Maine. It’s about an hour away from my home in Portland.
I’m not speaking there because–well. You know why I’m not speaking there. I can’t quite bear to articulate why schools across Maine are closed for the second day in a row.
I wish I could say I’m shocked. Astonished. Enraged. I wish I could feel those things. Instead, what fills my mind is mostly a profound, enveloping weariness, and this poem. It’s called “On Getting out of Vietnam.”
Theseus, if he did destroy the Minotaur
(It’s hard to say, that may have been myth),
Was careful not to close the labyrinth.
So After kept on looking like Before:
Back home in Athens still the elders sent
Their quota of kids to Knossos, confident
they would find something to die of, and for.
I learned this by heart when I was a teenager in a summer writing program. Howard Nemerov, the author, was a guest speaker, a visiting writer. Which is what I’m supposed to be today, but I can’t. Because today’s After looks so much like Before.
Sarah L. Thomson
A children’s book author publishing award-winning nonfiction, poetry, picture books and novels including…
“Readers will treasure the blossoming friendship between opposites in this whimsically illustrated tale. Short chapters and plenty of action make for an accessible and appealing reading experience. . . . Touching and inspiring.”
—Kirkus Reviews