Review for Brown Is Warm!
Delighted to share a warm and bright review for Brown Is Warm, Black Is Bright. School Library Journal says:
Read More“This book is a joyous celebration of the bucolic life of a Black child and her father….The book makes for a beautiful read-aloud for a group setting with its detailed full-color vibrant imagery and for individual sharing. VERDICT File this under Black joy, childhood, autumn reveries, or pair with other celebrations of Black strength and beauty, such as Tami Charles’s All Because You Matter and Useni Eugene Perkins’s Hey Black Child.“
Today Is a Good Day to PreOrder!
Hello all! Just a quick note that B&N is offering a 25% discount on all preorders, starting today and ending Friday 4/27. (Use code PREORDER25.) If you were so inclined, it’s a great time to put in an order for Brown Is Warm, Black Is Bright!
Just How White Is Publishing?
Bearded dslr photographer with tattooes on his arms over school desk background.
So very, very, white.
This article from the New York Times is worth reading in its entirety, but to sum up a few key points: Of fiction books published by one of the large houses between 1950-2018, the author’s race/ethnicity could be identified for 7124 books. 95% of those were written by white people. In 2018, 11% of the books in the sample were written by authors of color. According to a 2019 survey, 85% of the people who acquire and edit books are white.
It’s not a perfect study (the authors of the article freely admit) because nobody actually tracks this stuff. How many books this year were written by African-Americans? How many last year were by Latnix writers? Nobody knows. Nobody’s counting.
I particularly appreciate that this article points up the whiteness of the editorial profession as one of the roadblocks to publishing book by writers of color. (Unmentioned is the fact that publishing is so poorly paid…if you want to start out as an editorial assistant, it helps immensely to have no student loans or family who can give you a boost when it comes to renting a studio in New York. And of course there’s a correlation with race.) I also appreciate calling the tendency of publishers to underpay non-white authors and illustrators (although, to be frank, I’m reeling at the advances some writers of adult books get.)
It’s a valuable article. Go read it.
And I’ll add one thought of my own: the article looks at authors (they forgot illustrators, but there you go…a lot of people, when writing about publishing, forget the younger end of things), editors, publishers…but they didn’t mention readers.
Readers have been eating up books by authors of color–Stamped, The Hate U Give, Booked, All-American Boys, and I could go on. If you’re reading this? Don’t stop. If the demand for these books stays high, publishers will keep buying them, and they may start paying the creators what they are worth.
(Oh, and for the record: $10,000 for A Pandemic Is Worldwide, $14,000 for Deadly Wish, $7000 for Brown Is Warm, Black Is Bright. #publishing paidme)
Read MoreKeith Mallett to Illustrate Brown Is Warm
Illustrator switch! Erin Robinson was on board to illustrator my upcoming picture book Brown Is Warm, Black Is Bright. Sadly, she had to drop the project.
Happily, a new illustrator has just signed on–Keith Mallett, whose glowing colors and expressive faces will bring a lot of joy and vivacity to the book. I can’t wait to see what it will look like!
Read MoreSarah L. Thomson
A children’s book author publishing award-winning nonfiction, poetry, picture books and novels including…
“Readers will treasure the blossoming friendship between opposites in this whimsically illustrated tale. Short chapters and plenty of action make for an accessible and appealing reading experience. . . . Touching and inspiring.”
—Kirkus Reviews