Just How White Is Publishing?
Bearded dslr photographer with tattooes on his arms over school desk background.
So very, very, white.
This article from the New York Times is worth reading in its entirety, but to sum up a few key points: Of fiction books published by one of the large houses between 1950-2018, the author’s race/ethnicity could be identified for 7124 books. 95% of those were written by white people. In 2018, 11% of the books in the sample were written by authors of color. According to a 2019 survey, 85% of the people who acquire and edit books are white.
It’s not a perfect study (the authors of the article freely admit) because nobody actually tracks this stuff. How many books this year were written by African-Americans? How many last year were by Latnix writers? Nobody knows. Nobody’s counting.
I particularly appreciate that this article points up the whiteness of the editorial profession as one of the roadblocks to publishing book by writers of color. (Unmentioned is the fact that publishing is so poorly paid…if you want to start out as an editorial assistant, it helps immensely to have no student loans or family who can give you a boost when it comes to renting a studio in New York. And of course there’s a correlation with race.) I also appreciate calling the tendency of publishers to underpay non-white authors and illustrators (although, to be frank, I’m reeling at the advances some writers of adult books get.)
It’s a valuable article. Go read it.
And I’ll add one thought of my own: the article looks at authors (they forgot illustrators, but there you go…a lot of people, when writing about publishing, forget the younger end of things), editors, publishers…but they didn’t mention readers.
Readers have been eating up books by authors of color–Stamped, The Hate U Give, Booked, All-American Boys, and I could go on. If you’re reading this? Don’t stop. If the demand for these books stays high, publishers will keep buying them, and they may start paying the creators what they are worth.
(Oh, and for the record: $10,000 for A Pandemic Is Worldwide, $14,000 for Deadly Wish, $7000 for Brown Is Warm, Black Is Bright. #publishing paidme)
Read MoreHighlights Stands Up for ALL Kids
Proud to have three of my books published by these fine folks! The CEO of Highlights Magazine says, “Our company’s core belief…is that ‘Children are the world’s most important people.’ This includes ALL children.”
Nurikabe
A visual representation of an invisible force–this nurikabe will hunker down in front of you and block your path.
It occurs to me that I haven’t shared a Japanese demon with you in a while. Meet the nurikabe, or invisible wall.
Not terribly threatening, but frustrating, especially if you have to be somewhere in a hurry, the nurikabe will spring up out of nowhere to block your path. It can’t be seen, it can’t be scaled, and it can’t be broken–but if you run a stick or a staff along the bottom (where I imagine its feet must be, to let it move about like it does), it will vanish. Perhaps it’s ticklish.
They are said to like narrow streets and alleyways, which is where Kata and her companions encounter one (or perhaps a pair working in tandem) in Deadly Wish.
Read MoreEpilog to Deadly Wish
My editor and I disagreed about the epilog to Deadly Wish. She is a very sagacious lady so quite likely she is right and I am wrong, but I have always been fond of this epilog. If you’d like to find out what happened to the pearl with the demon’s soul inside once it ended up in the possession of a sailor from Portugal (thought by Kata to be a demon because who else could smell so bad?), read on!
Read MoreUp ahead, Luys could see the place where the path curved around an ancient chestnut tree. He knew that it would head down a small slope through Jorge Velho’s olive grove, and from there he’d be able to see the lights of his village.
Night was gathering, but Luys didn’t need light to walk this path. Even after five years, his feet knew every stone, every rut, every hollow. And his heart was fuller of joy with every step.
Sarah L. Thomson
A children’s book author publishing award-winning nonfiction, poetry, picture books and novels including…
“Readers will treasure the blossoming friendship between opposites in this whimsically illustrated tale. Short chapters and plenty of action make for an accessible and appealing reading experience. . . . Touching and inspiring.”
—Kirkus Reviews