One More WOMBAT sketch
Although Wombat is not actually in this one–here are Wallaby (and Joey, but I’m not sure you can really see Joey in Mom’s pouch), Skink, and Echidna.
Thanks to the ever-fabulous Charles Santoso for not only bringing these characters into the visual world but allowing me to show you some of his process as the book takes shape.
Read MoreJust How White Is Publishing?
So very, very, white.
This article from the New York Times is worth reading in its entirety, but to sum up a few key points: Of fiction books published by one of the large houses between 1950-2018, the author’s race/ethnicity could be identified for 7124 books. 95% of those were written by white people. In 2018, 11% of the books in the sample were written by authors of color. According to a 2019 survey, 85% of the people who acquire and edit books are white.
It’s not a perfect study (the authors of the article freely admit) because nobody actually tracks this stuff. How many books this year were written by African-Americans? How many last year were by Latnix writers? Nobody knows. Nobody’s counting.
I particularly appreciate that this article points up the whiteness of the editorial profession as one of the roadblocks to publishing book by writers of color. (Unmentioned is the fact that publishing is so poorly paid…if you want to start out as an editorial assistant, it helps immensely to have no student loans or family who can give you a boost when it comes to renting a studio in New York. And of course there’s a correlation with race.) I also appreciate calling the tendency of publishers to underpay non-white authors and illustrators (although, to be frank, I’m reeling at the advances some writers of adult books get.)
It’s a valuable article. Go read it.
And I’ll add one thought of my own: the article looks at authors (they forgot illustrators, but there you go…a lot of people, when writing about publishing, forget the younger end of things), editors, publishers…but they didn’t mention readers.
Readers have been eating up books by authors of color–Stamped, The Hate U Give, Booked, All-American Boys, and I could go on. If you’re reading this? Don’t stop. If the demand for these books stays high, publishers will keep buying them, and they may start paying the creators what they are worth.
(Oh, and for the record: $10,000 for A Pandemic Is Worldwide, $14,000 for Deadly Wish, $7000 for Brown Is Warm, Black Is Bright. #publishing paidme)
Read MoreMore Wombat Art
Another adorable sketch of Wombat for the upcoming Wombat Underground by the hugely talented Charles Santoso. This is pure essence of Wombat–dig, dig, dig!
Read MoreWombat Art!
So excited to see some sample art from the talented Charles Santoso for WOMBAT UNDERGROUND. Love the richness of the colors and the contrast between under- and aboveground!
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